How Do Stylistic Cinematography Conventions create tension in True Crime dramas? And to what extent it is more important than the use of sound.
Bibliography
http://www.digitalspy.com/tv/american-crime-story/review/a790560/the-people-v-oj-simpson-finale-was-a-masterful-gut-punch/
http://www.telegraph.co.uk/tv/2016/04/18/the-people-v-oj-simpson-american-crime-story-the-verdict-episode/
http://screenprism.com/insights/article/how-does-12-angry-men-use-cinematography-to-build-tension-during-the-film
http://masteringfilm.com/using-canted-shots-to-convey-tension/
https://thefilmstage.com/features/roger-deakins-talks-creating-tension-and-finding-realism-in-sicario/
Important things to remember
- Framing
- Composition
- Frame rate
- Narration
- Story and plot
- Characterisation
Ideas To Take Forward
- Is cinematography the main way tension is built?
- Which directors like to use cinematography to build tension
- Why are true crime dramas reliant on good cinematography
- Could also be a sound related question, not cinematography
Case Studies
- Making a murderer
- The people vs OJ Simpson
- Manhunt: UNABOMBER
- The assassination of Gianni Versace
Example of creating Tension
The People vs OJ Simpson Trailer
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