Friday, 2 February 2018

Dissertation Research - Week 1/2 Finding A Question & Ideas

Question:
How Do Stylistic Cinematography Conventions create tension in True Crime dramas? And to what extent it is more important than the use of sound.

Bibliography

http://www.digitalspy.com/tv/american-crime-story/review/a790560/the-people-v-oj-simpson-finale-was-a-masterful-gut-punch/

http://www.telegraph.co.uk/tv/2016/04/18/the-people-v-oj-simpson-american-crime-story-the-verdict-episode/


http://screenprism.com/insights/article/how-does-12-angry-men-use-cinematography-to-build-tension-during-the-film

http://masteringfilm.com/using-canted-shots-to-convey-tension/


https://thefilmstage.com/features/roger-deakins-talks-creating-tension-and-finding-realism-in-sicario/

Important things to remember
  1. Framing
  2. Composition
  3. Frame rate
  4. Narration
  5. Story and plot
  6. Characterisation
Ideas To Take Forward
  • Is cinematography the main way tension is built?
  • Which directors like to use cinematography to build tension
  • Why are true crime dramas reliant on good cinematography
  • Could also be a sound related question, not cinematography
Case Studies
  • Making a murderer
  • The people vs OJ Simpson
  • Manhunt: UNABOMBER
  • The assassination of Gianni Versace
Example of creating Tension

The People vs OJ Simpson Trailer

Thursday, 1 February 2018

Production Management - AS LIVE SHOW

What is production Managment?

  • Managing Cast and Crew
  • Managing Locations
  • Keeping notes from meetings
  • Responsible for Budget
  • Scheduling the Project
  • Contracts and agreements
  • Insurance and Risk Assessments
  • Keeping across the latest Tech Specs
  • Cross-platform considerations 
Production Mistakes
  • Leaving it to the last minute
  • Note delegating/ over delegating
  • Hoarding Information
  • Not knowing the role
  • Not working in their team
  • When they think they know best
Production Do's
  • Make a schedule and stick to it
  • Create call sheets
  • Risk assessments and safety
  • Contact lists and book staff
  • Are you on a budget?
  • Release forms
  • Tech specs
  • Collating floor plans and lighting plans
  • Good communication is key
Studio Hire


  • Studio production can be very costly so time is money. Will be working on a tight schedule
  • Dry hire - No crew Wet Hire - Fully crewed
Budget
  1. Staff cost
  2. Studio cost
  3. Post Prod costs editing etc
  4. Props, scenery, costume
  5. Expenses

Steal The Style: Research Into Primark vs Etsy - Offline vs Online

Talking about Primark doing well because they re not online and also the opposing side of etsy being just online
Primark :
Primark does not sell online because they cannot keep their low prices and sell online at the same time. While some of their products are of a normal price they do stock a substantial amount of items that are £2 or £3 meaning selling online is not possible.


This is because delivery charges back and forth and possible returns would cost too much. Also, hiring someone to refold the item is not possible at such a small price. They would also have to factor in the costs of maintaining an online database which would take a lot of staff because of the size of the brand.

They said they cannot justify losing money on smaller ticket items because in a lot of cases shipping the item is as much as the item is itself. And when you are trying to create a competitive online store in a modern economy, you will want to have free shipping on items.

Simply put: The reason they better offline is that their items are so cheap, selling online would actually be more expensive than buying in store.

Primark's website is just a way for you to browse the products and see what they have in stock and also see what is trending. As talked about, you cannot buy anything from their site but you can save your favourite items so that you can come back to them after you have located a store using that feature on the website.

They are active on Social media and have a strong following, this serves the purpose of informing customers and also posting updates about new items.


Primark Revenue 2016: £5.949 Billion

Sources: http://www.marieclaire.co.uk/news/fashion-news/why-primark-dont-sell-online-525940


Etsy:
Esty sellers, on the other hand, need to sell online otherwise they would not have enough of a market for their items. In a way like eBay, it is giving your items a massive audience from the outset. People who want to find an item like yours are more likely to find it as there is already such a big userbase.

Etsy sellers are also at less of an obligation to include free shipping as they are small, independent owners. Unlike Primark which prides itself on being cheap, Etsy is more about being individual and owning something more personal.

People also like the "feel" of etsy. It has a simple interface where competitors like eBay are more cluttered and harder to use. It is also more specific than eBay, focusing more on Crafts, Toys and Clothes and Accessories.


People also like Etsy because of its sense of quality, something that you will not get from eBay.

Simply put: Etsy works much better online as there is more of an audience for the sellers to pitch for. Most likely the majority of people on Etsy could not afford to work out of a shop because of costs. As the sellers are mostly independent it means there is less of an issue around pricing and posting costs.

Etsy also has a large social media following, however, the audience is not very active. The social media outlets are used in a similar way to Primark's. It is used to promote products and inspire ideas from the viewers who may then want to buy something from the website.



Etsy Revenue 2016: £364.97 Million

Sources: https://www.quora.com/Why-did-Etsy-succeed-despite-eBays-existence



Tuesday, 30 January 2018

Steal The Style - Idea Development and New Ideas

New Ideas:

Finding an outfit via Tumblr and trying to recreate it on a budget

I thought an idea for a possible segment for the show would be a challenge of finding an outfit on a website like Tumblr or Instagram and trying to recreate a similar outfit on a budget. This could be £25-30 and the idea would be the two presenters going to cheaper stores to create this outfit on s budget.




It would be a simple idea to fulfil as it would minimal research and the presenters would not need to do anything crazy for it to work.

£25 Challenge

This challenge would consist of the two presenters having a budget of £25 and then going out to local charity shops and buy an outfit with their budget. This challenge has been inspired by research I did into YouTube videos. Charity shop hauls seem popular and we could create something similar in the live production VT's.




Once the outfit has been bought in the VT, it could be modelled by the two presenters in front of the live studio audience and they could decide with double-sided cards to which outfit is better.

Research to Do:


These are the notes from our production meeting. We will be asked to research a specific section in groups for the next meeting in the next few weeks. Unfortunately, a few other groups had a similar idea to my charity shop idea so I did not get mention mine. However, I am happy that something similar looks like it will be incorporated into the show! 




Trends of the week/ Steals of the Season
  • Presenter lead, look at 5 styles that are current ( spring/ summer looks)
  • Show a variety of ways to style the item
  • VT- a reporter in the high street, finding the trends for the best price OR
  • VT- both presenters, finding looks for each other, look revealed in the studio
  • Research: find average budget for a clothes shop, look for statistics we can use
Old to New
  • Look at TV shows that are set in the past ( Peaky Blinders, Stranger things) and look at the fashion they bring with them
  • How to emulate that style on a budget
Old to New [VT]
  • Fashion History: Churchill- siren suits- evolved into onesies/ rompers
  • Look at how practical clothes have evolved into fashion
  • Chartwell- Churchills house, in Kent
Fashion Fails
  • Embarrassing wardrobe malfunctions
  • fails/ triumphs of online shopping
  • Bad fashion choices from the past/ school years
  • Audience participation- they bring in own stories
DIY fashion
  • Look at big brands, how to emulate look
  • Tutorial segment shows audience how to make this product
  • Fun and quick projects you can do at home
  • http://www.stylemotivation.com/24-stylish-diy-clothing-tutorials/
Independent Shops [VT]
  • Presenters need a challenge, or a budget, to find the best item in the time
  • Owner interview- why shop independent?
  • Shop must have an interesting backstory/ niche
  • Etsy shops- only sell online
Music
  • An independent/ local artist
  • How they present themselves on stage vs off stage
  • Two fans of different types of music do a style swap





Live Presentation Lecture - Production Design

Staging Your Production

  • Just as a stage production will need a set and props, so will the studio production.
  • Transforming it from a grey shell into whatever world we are creating
  • There are a number of external people that we will be working with.
Sets/Props/Costumes
  • Often freelancers
  • Production team will work alongside them
  • Companies pitch ideas to be commissioned
Collaborative Working
  • How do you work with them?
  • What can they offer?
  • Getting the best out of them
  • Briefings
Who are they?
  • Set designers
  • Costume designers
  • Prop designers
  • Music (Andrew)
  • Graphics (Simon)
  • Promos (Promo Team)
Choosing Your Creatives
  • Find someone with the right expertise
  • Bring a clear idea of what you want out of them
  • Spend time making sure the style is the same throughout
  • Timescale/budget/genre/content/number of contributors/size of production
Commisioning Them
  • Our promos team and UCA Rochester, design for theatre, film and performance
  • Get inspo from existing work and what is on TV
  • For music, make sure there is no problem with copyright
Working Relationship
  • Set clear deadlines from the outset
  • Monitor the progress of the work
  • Communication is essential
  • Managing work schedule
  • Allow people their own creative freedom
Audience and The Set
  • Staging and camera positions are important to know well in advance
  • Practicalities on set
  • Look at examples to give you a sense of what is possible
HD vs 2D
  • HD makes it more important that the set is done well as you can see every little detail 
Lighting 
  • Directors will need to create a lighting plan
  • More than functional, consider gels, mood enhancing etc
  • Fully certified electricians will rig the lights - They need a lot of INFO
  • Make sure lighting is dictated by decision
  • Must be worked out in rehearsals
Rehearsals
  • Important that the project is: sustainable, fits duration, work on studio camera, be well lit
  • In order to know it goes to plan, rehearsals are key.
Schedules and Deadlines
  • Must be managed well by the production team
Paperwork
  • Schedules
  • Call sheets
  • Contact Lists
  • Risk Assessments
  • Camera Cards
  • Shot Lists
  • Scrips
  • Running Order
  • Floor and Seating Plans
Production Style 
  • Must make sure that all the elements match the "Style Bible". Will make us look unified
  • Branding is always Key
Visual Style and Programme Tone
  • Research into current shows that we may want to mimic
  • Needs to be consistent throughout the whole programme 
  • Agree on this style early on with Producer and Director

Live Presentation Lecture - Content & Contributors, Locations and Branding

  1. Content
  2. Contribution
  3. Location
  4. Branding

Research Finding People:Presenters/Actors
Contributors
Audience
Artists/Guests

Casting Talent
  • These are our performers
  • They may be paid or not, will have some sort of contract
  • Relevant skills/Experience
  • Performace
  • Charisma
  • Look/Appropriate brand/style 
  • Representation and relevance to audience
UCA -  Relevant trade organisations, Trade/Press People, Style/Fashion Mags

Finding Talent
  • Auditions - Advertisements calling for new talents / Looking Through showreels
  • Agents - People normally have agents, may be an "expert" in a field, need to negotiate Money and a contract
  • Scouting - Visiting talent and seeing them in person, see how they really perform
  • Talent websites and Journals - Spotlight, Mandy etc
Issues
  • Scouting - Look for new talent anywhere
  • This can be a problem because it can be time-consuming
  • Background research needs to be done - Get to know if they will perform
  • Could be open - find new unfound talent
  • Preferably closed and sifted through already 
  • Get a showreel of anyone you wish to cast so you have an idea first.
Dealing with Agents
  • Check availability - Find out what else they are working on - Potential scheduling clashes ETC
  • Hours/Days Contracts
  • The rate of Pay?
  • Expenses - BEWARE of rates. Miles/Food costs/ Train tickets
  • Consider setting flat fee or limits
Artists Contracts and Release Forms
  • Essential that all talent are given contracts or release forms
  • Get people to commit to paper
  • This should be done well in advance so we guarantee their commitment 
  • Liaise with Production Manager 
Finding Contributors
  • You need to apply many techniques to research contributors
  • Appeals/Ads/Sourcing Contacts/Contacts/press Offices/Media Liason
Finding Audience
  • Need to decide what purpose your audience's purpose is...
  • Passive
  • Active
  • Representative
  • Sensitive
  • Audience Size: Below 100
  • Can use various websites to "sell" tickets through
Representation - Audience
  • Audience in studio should reflect the audience at home
  • Many programmes are individually cast
  • Need to think about audience carefully
Accuracy
  • Keep good records of the pre-production process in an available for all Document
  • Keep info accurate and checked - Spellings/Content/Key Info
Remember OFCOM Broadcasting Code!

Scheduling & Organising Talent - Careful Negotiations, Keep the contacts on hand as they may be needed for post-production like voiceover.

Production Meeting 2 ( 30-01-18)

Production Meeting 2 ( 30-01-18)
Show Content Ideas
Trends of the week/ Steals of the Season
  • Presenter lead, look at 5 styles that are current ( spring/ summer looks)
  • Show a variety of ways to style the item
  • VT- a reporter in the high street, finding the trends for the best price OR
  • VT- both presenters, finding looks for each other, look revealed in the studio
  • Research: find average budget for a clothes shop, look for statistics we can use
Plus Size
  • Style makeover, on a budget
  • Will not do, will use plus size models in modelling sections
Old to New
  • Look at TV shows that are set in the past ( Peaky Blinders, Stranger things) and look at the fashion they bring with them
  • How to emulate that style on a budget
Old to New [VT]
  • Fashion History: Churchill- siren suits- evolved into onesies/ rompers
  • Look at how practical clothes have evolved into fashion
  • Chartwell- Churchill’s house, in kent
Fashion Fails
  • Embarrassing wardrobe malfunctions
  • fails/ triumphs of online shopping
  • Bad fashion choices from the past/ school years
  • Audience participation- they bring in own stories
Wardrobe Dig
  • Find interesting character
  • Figure out whose wardrobe it is
  • Needs to be a celebrity to work
DIY fashion
  • Look at big brands, how to emulate look
  • Tutorial segment, shows audience how to make this product
  • Fun and quick projects you can do at home
  • http://www.stylemotivation.com/24-stylish-diy-clothing-tutorials/
Independent Shops [VT]
  • Presenters need a challenge, or a budget, to find the best item in the time
  • Owner interview- why shop independent?
  • Shop must have an interesting backstory/ niche
  • Etsy shops- only sell online
Music
  • An independent/ local artist
  • How they present themselves on stage vs off stage
  • Two fans of different types of music do a style swap

To Do:  try and expand on research into these segments, see the research to be done doc

Monday, 29 January 2018

Steal The Style - First Research into The Genre & Production Style

Research Into Fashion Videos on YouTube

It was important to do some research on videos with a style similar to the one of our live show. YouTube is probably the best place to start research as it has a market of a lot of people making videos with a similar budget to the one we will be working with on this project.

I wanted to look into people who made consistent fashion videos on YouTube and see if they followed a certain style or theme throughout their videos.

After doing a bit of research into Fashion YouTubers, I came up with a case study. I found a channel by Ingrid Nilsen. She has 3.8 Million Subscribers and averages 1.4 Million views per month. Her channel is focused on Fashion and Beauty but does merge into other genres with more chatty videos. (Ingrid Nilsen YouTube Channel, 2018)


I noticed that her channel art is minimalist, it is right to the point and does not have any more than needed. I think this works well, as the Channel name is her name I don't think you really need any more. While I assume Simon will adapt what Melissa and Katie have previously done, I think that the logo they have created already works well with the theme of most fashion bloggers. It is minimalist but with subtle accents to make it a unique brand. From my research into similar videos so far, it seems that a logo/theme that is to the point is more important than a flashy logo with multiple dimensions to it.


As for Ingrid Nilsen's videos, they follow a similar theme to her branding. The videos themselves are edited in a minimalist way but with editing makes it interesting for the viewer. For example, the quadruple screen part where she shows all the outfits that will be included in the video. This is a way of letting the viewer know "whats to come" in this certain video. The videos also generally include a backing track which is upbeat to keep with the light-hearted theme of the video.


As for the main portion of the video, it followed a similar theme for each outfit. 
It would start out with a piece to camera talking about the item and then merge into a shot of the outfit and the costs. This once again was done in a minimalist way. Apart from Ingrid in the shot, there is only ever the text with the prices. This may seem like it "has little production quality" to some, however, I think this works well in videos like this as we do not need any more information than this, so why show it? Once the price info is on screen, it cuts to a few detail shots of the clothes so the viewer can see in higher detail the quality and "feel" of the products.


There also has been thought into the cinematography in this piece. For the main PTC, it has a nice simplistic background with a "cosy" and "personal" feel to it. I think it is designed to make the viewer connect with Ingrid as much as possible. Looking through multiple different videos of hers, she always has a relaxed personality and one that will keep her regular videos at ease because you know what to expect. 


The lighting and cinematography work well on her outside shots. There is evident planning into where it will be shot as the lighting is good and the background is white so the price infographics would work well in opposition to the backdrop. As I will be operating the camera on one set of the VT's it will be important to look at locations beforehand, so I will be able to plan what equipment will be needed. Example: If were we are planning to shoot in a place that could be light/dark depending on weather (eg. Looking through the wardrobe of a blogger segment [4]) I would need to plan to bring adequate lighting. 

Even outside her videos, Ingrid follows her "theme" into her Thumbnails and social media. While each thumbnail seems to have a different colour, it has a similar pattern of around 1/3 of the screen covered by a colour triangle which includes relevant text to the video.



While I will not be apart of the branding in any way, I think it is important to realise that a lot of Fashion YouTubers follow a theme over all platforms. This will mean that we will have to all work together closely to make sure that the theme and style are consistent throughout all social media and our final piece. 

Through this research into Ingrid Nilsen, I think the biggest thing that I realised that it will be very important to follow a particular "style" throughout the whole show. This means that the whole show including VT's will need to be directed and produced in a way that all "parts" will work in harmony. I don't think this will be much of an issue, however, as we have producers who really know the genre and will have a great idea of how they want the show to run including the theme. 

I also noted that a lot of Ingrid's videos have a similar colour pallet, I'm sure more research will be done into this but if we follow a similar colour pallet it may help with the continuity. 


Looking into TV Shows & Role Requirements

I had worked as a camera operator on all of the units in some way so far at university, but I wanted to look specifically into camera operations for the Fashion/Beauty genre.



I found a piece that was on ITV's This Morning show. (ITV This Morning Fashion Segment, 2018 ) Strangely this followed a lot of the concepts that I found in Ingrid Nilsen's posts. They had the pop-up with the details and also wide angle shots mixed with close-ups of the items. I think this has shown, no matter the budget, that we should always aim to get as many different types of shots for the same product.




As for the camerawork itself, it wasn't that complicated. It was mostly a static camera with the model walking into shot and creating movement in the shot in that way. of course not all the segments would be like this, however, it was interesting to note that in both of the scenarios that I have seen so far the camera is static. We could also make the shot interesting by using some pull focus shots and we could experiment with slight movement before the shot focuses on the main subject.

Ideas for VT Segments

I don't really have any experience in this genre, but I have come up with a few ideas that could possibly work with this project.
  • Something popular on YouTube is "challenge" type videos that I think could work well in this show, however, I am not sure what segment it would work well in.
    However, the general idea was giving the two presenters a budget (eg. £25) to go out and find some unique items, maybe a full outfit? This would be a way to mix some of the ideals that are popular into a VT in the show. I do not know what segment this would work well in, however, it could work in the "Very vintage" segment if it was changed to going to a market or charity shop to find cheap items for an outfit.
  • For the "Not on the high street" segment, we could have something with the presenters finding unique outfits from online blogs and then sourcing something similar & buying them. Then explaining why they may interest the viewer. It would be a way of showing people how to style clothes that they have taken inspiration from online sources. 

Sources

Ingrid Nilsen YouTube Channel, 2018
Accessed on 29th January 2018

ITV This Morning Fashion Segment, 2018 
Accessed on 29th January 2018


Friday, 26 January 2018

Steal The Style - Job Assignments and First Brief.

I was really excited to start work on this unit but first, we had to be interviewed for our jobs. I applied for VT & Studio camera as well as Production Manager, however, I was only really interested in being a camera operator. 

My interview went well, after showing Jo and Helen the work that I recently filmed in Germany, they were really impressed with the project that I completed alongside university. My main passion is for camera work even though I had really enjoyed being the director and producer of my most recent two University Projects, I wanted to focus more Camerawork for this unit, hence why I did not apply for the directors and producers roles.

Thankfully, I did get my first option which was a nice result for me personally as I was unsure really what I would have done if I did not get the camera position as others had had more interest in the other roles. I said to Helen and Jo that I was really excited to work on a project that wasn't based on cars and sports. (which my last 2/3 units have been based on)


After the roles were decided, we had a presentation from Katie and Melissa, basically explaining what the idea was and what they thought they needed extra help on.

My notes from this meeting were as followed.
  • Researching our own elements and how they are relevant to our role 
  • Look at similar shows
  • Reason behind story choices 
  • Background history. Context of story
  • Give people options 
  • Research into the Channel: E4 - what do they do, how do they do it. 
  • YouTube fashion videos. Magazines. Company magazine. Vogue format
Over the weekend I am going to do my research into fashion videos on YouTube and also look into similar TV shows that are on right now. I will also do some research into my specific role and what planning I would need to do for this project.

After this meeting, we split into our "groups" We grouped together in a "VT Group" but we also did have a smaller group of people who we are working with on 2 VT's each.

Our Mini group for VT's [VT Team B] was as followed:
  • Conor Deamer as VT Producer
  • George Wing as VT Director
  • Myself as VT Camera Operator
  • Alex Hargood as Sound Operations (and VT Editor)
  • George Nicholls as VT Team B Researcher
When we get a better idea of the project and exactly what our VT's will be, we can work more closely on our specific roles. Over the weekend I will be working on possible ideas for the VT's as well. Katie and Melissa said they had their own ideas for these VT's but that if we had our own ideas we should always pitch the ideas to them.


Production Meeting 1 (26.01.18)

Production Meeting 1 (26.01.18)

  • The show- ‘Steal the Style’- a chat/ advice show, looking at being an antidote to the mainstream fashion.
  • Should cater to all budgets.
  • Should look at all aspects of fashion
  • 4 different topics with a VT each, some examples-
    • 1-Trends of the week: popular trends dressed differently. VT- trends for the best price
    • 2- not on the high street: a guest segment, the owner of an independent shop. Interview format
    • 3- vintage markets: VT make an outfit from a vintage market/ top five items found
    • 4- wardrobe dig: a guest ( casting possibility: blogger with quirky taste) shows us their favourite items

  • Graphics: similar style to the example, font tone colour- to keep
  • channel : E4/ C4 similar style shows how to look good naked etc.
  • Target audience: male and female, 16+, working age
  • Presenters:  one male, one female, one fashion expert, one bubbly personality ( eg. Gok Wan and Georgia Toffolo)
  • TO DO:

  • research fashion and style- look at magazines for research
  • research into own roles
  • Brainstorm ideas

Production - Major Project Evaluation

Overall Process The creation of "Dream Chaser" has certainly been the hardest challenge of my life. I took on board the responsi...