Monday, 6 March 2017

Documentary Unit Introduction

Challenge yourself, being original is key. Even if it’s been covered try and look at it from a different angle.

“Team spirit” Is the motto

Research, develop and construct your documentary to tell this story.

Unit Aims:
Promote understanding of a commissioned piece of work.
Enable understanding of ethical concerns of impacts of representation
To facilitate research which supports and develops your ideas of storytelling
To support the development of professional ideology

Film must be outlined and consider relevant brand and audience expectations (Barb)
Pitching your ideas as a GROUP
Groups do get marked differently, the individual input from each person.
Bullet points and heading

Outcomes:
Demonstrate creative skills in response to the brief
Develop broadcast strategies for clients and audiences
Employ research methods
Deploy management skills

30% online portfolio // 70% documentary portfolio including the final project and all work to get there.

Establishing Shots
Actuality Interviews (Interviewing whilst they’re doing something)
GV’S (Framed up shots)
Sequences – Compress time
Commentary
Strong characters (Experts in their own right)

Working title
Story synopsis
Character profiles
Location details including recce shots
Proposed style, narrative

Draft script 31st March
Final sign off 7th April
Shoot weeks 25th April – 5th May
Sync assembly 10th may
Rough cut 12th may
Fine cut 17th may

Final film submitted 19th May           

Friday, 3 March 2017

Alex Baldwin Directs John Fawcett's Orphan Black FINAL CUT

Here is the final cut for my my project remaking John Fawcett's Orphan Black.



STARRING

JESSICA    LAWLOR   as    SARAH / BETH

JAMIE   SEYMOUR-KNIGHTS   as   FELIX

GEORGE   NICHOLLS  as   ENRAGED    PASSENGER

ALEX    BALDWIN   as   cafe  guy

ANDREW   AYRES   as   PLATFORM  ANNOUNCER

--

DIRECTED    BY : ALEX    BALDWIN

CAMERA:  GEORGE    NICHOLLS

EDITING & SOUND: ALEX    BALDWIN

Wednesday, 1 March 2017

Project Evaluation - Directing John Fawcett's Orphan Black

What Worked and Went Well?

Firstly, I will say that after day 1 of filming I was so worried because I thought that I had no content, however after day 2 and some reflection time I felt like I had good coverage bar 1 or 2 areas which I will talk about later.

I also feel like I did a good job with actors, whilst of course I was worried at any second they’d drop out and say they couldn’t come when we started filming they were very understanding that it was my first time using actors with experience so I was learning off them about what they wanted to know. Hopefully I can work with them again in the future as they did have a true passion for the project which made it a lot easier on my end.

I also liked the majority of the shots I got, of course somewhere ever so slightly out of focus and other just where not great but in the actual edit I had enough choice to go through and filter out the no so good stuff.

I recorded a buzz track and that was thanks to Steve Finn, without him I think most wouldn’t have known it was a thing. It helped keep the audio similar in the background even though sometimes the audio could be a little jumpy.

I liked the editing process, I was mostly not around to get feedback but thanks to Simon back and forth over email we selectively improved it and I think the outcome is much better than at the start of the week when I was a little worried how it was all going to be done in time! This included the audio mixing which was a challenge but at the same time interesting as I’d never done it to this extent before. I think the effects and music I used was very effective and it’s one of my favourite parts about my project.

Finally, I think that the planning this time was a lot less hectic for me, I knew slightly more about it so I was not as worried about it and it went a lot smoother. I also thanked all my locations after we had filmed because they really made it a pleasant experience and helped us if we needed it.

What Didn’t go so well?

I struggled with sound whilst filming in such a public place. People shouting and in general being loud did sometimes mean if the actor was not emphasising enough that you could not hear them. This is probably see in my edit as there are some rough cuts from one audio clip to the next but I tried my best to nullify the sharpness with transitions and audio mixing.

You can probably tell from my film I had to use the clip of the train coming into the station 3 times. Whilst watching it a first time you may not notice, you would do after seeing it a few times. It was annoying but unfortunately, I could not go back and record because the trains only ran weekends after I filmed, in which I was not available. This would have been the biggest single shot I would have liked to gone and filmed again.

An annoying problem I realised whilst editing was I had a smudge on the lens, this meant for one shot only it kind of ruins it. Unfortunately, there is nothing I could do about it, at the time from the tiny display everything looked ok but once I realised I just made sure it didn’t frustrate me too much because I realised that there is nothing I could do about it.

What I learned

I think what I learned most was how to deal with actors. I was talking to Jessica and Jamie and asking them what they wanted from me to help them understand what’s going on. They told me some of the “do’s and don’ts” which really helped me out and hopefully will do for the future.

I also learned how to edit sound a lot better. I know still I’m at the very beginning but in general I got the concept of why sound is so important to making a show good or bad. I think if I compare this to my first project, I’m already way advanced in comparison to what I knew at the start of the course.

Planning was also a big part of what I learned, making sure A and B are at a location at X time was tough to organise but also a nice challenge at the same time and that was another part for my first project that had time spent on it, but nowhere as much time as this project.

Apart from that I learned a lot in premier in terms of editing, little things I didn’t know before but now I know which make the editing process more enjoyable and a slicker experience.

What would I develop and change?

The biggest thing I’d change or re shoot are the scene where the camera is smudged and get more footage of the train coming towards the station because that let it down a bit for me.

I would also probably choose a different scene, I loved doing this project but clones and a train hitting someone was probably a little too much for me right now to look good and properly realistic. However maybe knowing what I know now I would be able to make this scene feel more realistic and maybe it would come out a lot better. It’s good to get the negative experiences as well so you can learn from them.

I would also like to have used some more interesting ways of filming (drone and dolly) but I realise I should have booked the dolly earlier and, I should have known that a drone in a public place and next to a train line would not be accepted under the risk assessment. This means I should have planned a little more NOT using the drone as I did have some shots specifically for the drone.

Finally, I would probably change the location of the café to somewhere quieter. I didn’t think about it until we filmed but we filmed during a school half term so it was much busier than I really expected. In one way, this was good as the trains where running daily but it also meant that the café scene was very hard to film, including some people who wanted to shout stuff into the camera whilst filming.

I really enjoyed this project, it was tough but rewarding at the same time because I really liked some of the shots and the final project came out better than expected after I looked through it after day 1!


Monday, 27 February 2017

Directors Statement - Directing John Fawcetts Orphan Black

Casting:

For my casting I was very particular in who I messaged directly, it was in the project brief that the actors we use have to bare a similar resemblance to the actual actors. They had to be the same sex and race and I think that either dark or fair hair colour would also be on that list if you where to be that particular.

I went through casting call pro and for both the character of Sarah/Beth and Jamie and went on those guidelines to message people as I'd had little luck through putting up an advert. I did get a lot of messages back mostly with people saying they could not make it or that they where unsure so I perused the people that seemed most interested. Jessica who I eventually chose to play the role as Sarah/beth sent me a video of her reading a few lines from the script which really showed me she wanted to be a part of it and her acting abilities where shown in the video so that's why I chose her

As for the role of Felix it was tougher,  messaged more people but most of them responded after I had finished filming! I wanted to get Jamie as soon as I messaged him because he really fitted my idea of what Felix's character would look like. After messages back and forth we sorted out the days and both of the actors that helped me out did incredibly because even by my accord I feel like I was a little worried about not getting it all filmed so maybe I was not as clear with my ideas as I probably could have been.




Locations:

I knew right away my best chance of getting a train station to use would be the spa valley railway in tunbridge wells. They didn't reply initially so i messaged many other stations which all said no. After considering changing this location I decided to ask my dad who has contacts at the council to see if he could get in contact with them. As soon as I had the email of Jonnie at the spa valley railway it was sorted in no time which was great and then I knew I would base my whole film in Tunbridge wells. 

I got in contact with a numerous amount of cafe's in tunbridge wells for my last scene between sarah and felix and most of them responded meaning I had a good choice for one I thought would work best. I decided to go with Basil, it was slightly tucked away so without really know how busy it would be I sorted that out with them which they where also great about.

Rest of the scenes I did on the fly as they didn't need any permission and they all worked flawlessly.


Production/costume design:

In this blog post here I show all the character costume I had planned. I went back and forth with jessica and jamie on email to sort out what they would both be wearing. I gave them both guidelines on what I'd ideally want them to wear and they both did a very good job in having the right costume. I wanted to replicate something similar to what they have in the actual show but maybe not make it feel so forced so the makeup was not so extreme. As for design on set we did not have to change much, we where lucky to have a end section of a carriage to ourselves meaning that we could get a lot of different angels. In the cafe scene we slightly moved around some chairs to get the ideal shot but in general everything was left as it was so I did not mess up with continuity.


Sound design:

I was told this was a big part of what would make my scene better so I really focussed on getting the right sound. I knew I wanted it to seem mysterious and with the eerie sounds throughout I think I managed to create that effect. I had wind whistling as well as a creepy beat whilst in the car park because I felt along with Simon that it gave that scene more tension as it was a scene that needed it. In all honesty I struggled to make the scene with beth being hit by the train realistic due to the limitations I had with location and what i was able to film. I did my best but i realise that little sequence is probably the weakest part of my project. For the cafe scene I tried something different instead of a buzz track which I had added to the rest of the project. I added music being played by a busker as backing as I felt that could have been realistic to the street location. I think it's different and it works so I kept it in as I think the actual scene that John Fawcett create has background music from the bar in that scene so I wanted to keep that kind of similar.

Camera approach:

I mostly shot handheld which I think means that the tension I needed to create was there and it would have probably not been there if it was still on a tripod. The subtle movement being handheld did make a difference. I liked filming like that however I did want to use a tripod shot for the cafe scene as I feel handheld would make the scene near unwatchable. Overall i I wanted george on the camera to try and be closer to the characters than we are in the actual scene.

Mood/tone/visual style:

I wanted to create tension in my scene, that was the main goal. John Fawcett does an incredible job of that in the actual scene and I wanted to create something like that fear in my scene. Whilst I had a lot more limitations to my project than he did it was no reason not to give a go and see what I could create. I spent a lot of time editing the sound and making sure that it had the right mood because if the music didn't quite fit it can make the scene seem very different to what it's suppose to convey. Something John Fawcett does is use music to create suspense and that is something I had tried to use to my advantage as well however I do admit you don't feel as immersed in the scene as you do the real one.


Editing:

Whilst I was editing I came across a few issues that had happened whilst filming. Most notably was the smudges on the camera at the cafe scene whilst looking at Sarah. This is something I couldn't really edit so unfortunately it had to stay. 

Apart from that issue I had to do some basic colour correction which I had meant that the sky was the same colour in Beth's shots as in Sarah's shots which can be seen edited in this video below.


As for editing style I wanted to make it snappy editing when it felt right but in general this scene likes slightly longer cuts so it doesn't ruin the suspense. It's a fine line and everyone has a different opinion on what is right but I tried to stay quite neutral and not swing either way.

I liked a few shots in particular, especially in this scene below. The colour of the sign was strangely great and was iconic to that scene. I think most people will remember it, even though it's just a "way out" sign. I also like the over the shoulder shot looking at the ID card as I think it gives good detail on what Sarah is seeing.







I

Saturday, 25 February 2017

Directing John Fawcett's Orphan Black - Fine Cut

Here is the fine cut for my project, Directing John Fawcett's Orphan Black S1 EP1.

I have updates since the draft cut:
- Added a buzz track to all scenes
- Added audio of running down the stairs in the car park
- Colour corrected the "Beth scene" (Below: Before/After)

- I have added a busker "buzz track" for the cafe scene instead of a buzz track as I personally feel like it works better, But I will see what the feedback is.
- Added proper sound effects, for the phone and also the music at the start whilst on the train
- Edited the train hitting Beth scene, I know it's not perfect, but with my restrictions I do feel it is better but I know it needs more work.


What I know I need to do:
- Audio for the cafe scene needs work
- Depending on what simon says I know the train hitting beth scene will need work
- I may need to cut down the part where Sarah is walking down the station

Production - Major Project Evaluation

Overall Process The creation of "Dream Chaser" has certainly been the hardest challenge of my life. I took on board the responsi...